No sudden move camera used12/12/2023 ![]() ![]() Soderbergh's paternal grandfather immigrated to the U.S. He has Swedish, Irish, and Italian roots. Soderbergh was born on January 14, 1963, in Atlanta, Georgia, to Mary Ann ( née Bernard) and Peter Andrew Soderbergh, who was a university administrator and educator. Many of Soderbergh's films are anchored by multi-dimensional storylines with plot twists, nonlinear storytelling, experimental sequencing, suspenseful soundscapes and third-person vantage points. His feature films are often distinctive in the realm of cinematography as a result of his having been influenced by avant-garde cinema, coupled with his use of unconventional film and camera formats. They center on themes of shifting personal identities, vengeance, sexuality, morality and the human condition. Soderbergh's films often revolve around familiar concepts which are regularly used for big-budget Hollywood movies, but he routinely employs an avant-garde arthouse approach. His films have grossed over US$2.2 billion worldwide and garnered fourteen Academy Award nominations, winning five. His film career spans a multitude of genres, but his specialties are psychological, crime and heist films. He found further popular and critical success with the Ocean's trilogy and film franchise (2001–18) Che (2008) The Informant! (2009) Contagion (2011) Haywire (2011) Magic Mike (2012) Side Effects (2013) Logan Lucky (2017) Unsane (2018) Let Them All Talk (2020) No Sudden Move (2021) and Kimi (2022). For Traffic, he won the Academy Award for Best Director. His breakthrough led to success in Hollywood, where he directed the crime comedy Out of Sight (1998), the biopic Erin Brockovich (2000) and the crime drama Traffic (2000). At 26, Soderbergh became the youngest solo director to win the Palme d'Or at the Cannes Film Festival, and the film garnered worldwide commercial success, as well as numerous accolades. Soderbergh's directorial-breakthrough indie drama Sex, Lies, and Videotape (1989) lifted him into the public spotlight as a notable presence in the film industry. A pioneer of modern independent cinema, Soderbergh is an acclaimed and prolific filmmaker. In both No Sudden Move and Army Of The Dead, the main characters/pawns think they’re getting a good deal when they’re really just getting crumbs at the end of the day.Steven Andrew Soderbergh ( / ˈ s oʊ d ər b ɜːr ɡ/ born January 14, 1963) is an American film director, producer, screenwriter, cinematographer and editor. This would make a nice double feature with Army Of The Dead in that both films are semi-recent stories of pawns (that don’t necessarily know they’re pawns) used to carry out a mission with ulterior motives that goes horribly wrong. These days any movie about money is going to be dissected as some kind of commentary on capitalism but in the case of No Sudden Move it’s truly warranted (the heavy-handed final scene/climax of the movie just solidifies this). And beyond that it’s about regular folks being used as pawns and being happy to get scraps (like Goynes). Beneath that surface it’s a light commentary on the racial tension/divide in 1950’s Detroit. That’s the way of the world.Īt first glance, No Sudden Move is a crime caper. A lot of folks won’t admit this but my way of thinking represents a nice-sized majority of people in this world which is essentially what the film is about - giving “regular” folks crumbs to do the dirty work to get someone else rich. I have no interest in working for myself or being my own boss. A lot of people like to say they’re a “boss” or a shot-caller because they took out a PPP loan or started a small business. The other part of my non-risk taking personality has to do with me being a worker bee. I don’t want to die (the stakes in No Sudden Move are very very dangerous). Part of that has to do with wanting to live. Even in 2023 if there was an opportunity to make $5,000 in a low risk situation versus $400,000 in a high risk situation, I’m going to go with the low risk option. ![]() But to get this $400,000 dollars you have to take part in an elaborate risky plot. $5,000 in 1955 is a nice chunk of money but $400,000 is obviously better. By the end of the film Goynes makes $5,000 dollars out of a potential $400,000 dollars. The bad part is the selling oneself short. That’s the good part about my relation to Goynes. By the time No Sudden Move ends, we learn that was Goynes’ plan all along (at least that’s how I saw it). A decent amount of momentary life-changing cash to stretch for a while and I’m good. Just one or two safe scores and then I’m out. I’ve always joked about how if I ever had to turn to crime in order to get money I wouldn’t get too greedy. The just the part about “gettin’ what’s mine” (a phrase he uses throughout the film). I don’t know if this is good, bad or a combination of the two - but I saw shades of myself in Don Cheadle’s Goynes. ![]()
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |